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New Book. Shipped From Uk. This Book Is Printed On Demand. Established Seller Since 2000.

Three G Minor symphonies summarized under the motto Sturm and Drang [Storm and Stress] 2: The young conductor Johannes Moesus and the Leipzig Saxon Chamber Orchestra demonstrate with Mozart (K 183), Haydn (Nr. 39) and Vanhal not only the threatening element of this musical genre, but also outstanding musical culture, supported by the finest of recording techniques. (Lubecker Nachrichten)

There is an interesting and innovative concept here in attempt to link musical Sturm und Drang (Storm and Stress) with the mid-eighteenth century literary movement from which it took it's name. Short readings in the original German (none longer than forty seconds, if this idea worries you) are interspersed between each work... (Fanfare) CHURNED UP... Texts of this time, recited like mottos between the pieces for hammer clavier or wind instruments with continuo, remind US of the literary origin o

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.88

Double vinyl LP pressing. 2015 album from the groove metal band, their first in six years. It is the first album after the Randy Blythe manslaughter case and a brief hiatus after finishing the Resolution touring cycle. Randy Blythe stated that people shouldn't expect a prison record, instead he will "write about things that affect me very deeply", which are going to prison in a foreign country and being charged with manslaughter, as stated by Blythe. The album's subtitle, literally translated as

Despite the benevolent intellectual climate of the 1960s in Germany which had witnessed a reappraisal of earlier attitudes towards the eighteenth century in general, and towards the Aufklärung in particular, relatively little has since been done to pursue this stimulus to its logical conclusion – or to a discussion of possible conclusions. By looking beyond artificial literary classifications at the historical data and by accumulating detailed empirical evidence this study seeks to reappraise this situation, firstly by establishing a case which overcomes the traditional antithesis of Aufklärung and Sturm und Drang, and secondly by presenting a clear picture of the degree and nature of Lessing’s influence on German dramatists from Herder to Schiller.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.53

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The eighteenth-century movement called Sturm und Drang played a critical role in the development of German literature in general and drama in particular. Lasting from the late 1760s to the early 1780s, it was part of a great national awakening that propelled German culture into European prominence. Beyond this the Sturm und Drang is a complex and misunderstood phenomenon that simulaneously draws on and rebels against the cultural and historical developments that surrounded it. This book addresses both specialists and non-German-speakers who are seeking an introduction to the Sturm und Drang. Introductory chapters treat the movement's boundaries, theoretical beginnings, precursors, and wider cultural context, and consider the methodological problems that result from the its highly politicized reception. Subsequent chapters introduce the movement's primary dramatic authors: Heinrich Wilhelm von Gerstenberg, Johann Wolfgang von Goethe, Maximilian Klinger, Anton Leisewitz, Heinrich Leopold Wagner, Jakob Michael Reinhold Lenz, and Friedrich Schiller. The individual interpretations of their major dramas embrace several approaches, reading the works within their historical context and with an eye toward other critical analyses. In the end, the study intends to provide a cumulative portrait of the Sturm und Drang that does justice to its complexity.

Sturm Und Drang Sym Paul Haydn - CD 4988009243658

Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

German language. 8.39x5.43x2.05 inches. In Stock.

German language. 11.38x9.92x1.18 inches. In Stock.

Neuware - Seit 1910 machte die legendäre Zeitschrift DER STURM von Herwarth Walden Berlin zu einem Zentrum der internationalen Avantgarde. Ab 1912 zeigte Walden die STURM-Ausstellungen in Berlin und in vielen europäischen Städten. Am 20. September 1913 eröffnete er den Ersten Deutschen Herbstsalon, an dem zahlreiche Künstlerinnen und Künstler teilnahmen.Der STURM verstand sich als Sammelbecken und Netzwerk der Moderne vom Expressionismus bis zur konstruktiven Kunst und zum Bauhaus-Design. In der Zeitschrift waren neben Grafik und Malerei auch Bühnenbilder und Figurinen des avantgardistischen Theaters, Künstlermanifeste und -essays vertreten.War die klassische Moderne eine männliche Erfindung, wie ein Blick in die Kunstgeschichtsschreibung glauben macht Nach den Ausstellungen und den Publikationen des STURM waren am Durchbruch der Moderne wesentlich mehr Künstlerinnen beteiligt, als heute bekannt ist.Karla Bilang porträtiert die wichtigsten berühmten und wiederzuentdeckenden Künstlerinnen aus dem STURM und zeigt ein Panorama der weiblichen Avantgarde von Den Haag bis Stockholm, von Moskau bis Paris, von München bis New York, von Warschau bis Weimar, von Belgrad bis BerlinKünstlerinnen des Ersten Deutschen Herbstsalons:Gabriele Münter, Marianne von Werefkin, Natalja Gontscharowa, Sonia Delaunay, Jacoba van Heemskerck u.a.Expressionistinnen:Marie Laurencin, Sigrid Hjertén-Grünewald, Nell Walden, Maria Uhden, Gela Forster u.a.Konstruktion und Abstraktion der Zwanziger Jahre:Marcelle Cahn, Marthe Donas, Hilla Rebay, Gertrud Ring, Margarete Heymann-Loebenstein u.a. Avantgarde aus dem Osten: Konstruktivismus und Theaterdesign:Xana Boguslawskaja, Alexandra Exter, Vera Idelson, Vjera Biller, Teresa Zarnover u.a.

Neuware - Goethes Gedichte erscheinen in Band 1 in einer Anordnung, welche die großen Epochen seines Schaffens deutlich werden läßt: Sturm und Drang, die ersten Weimarer Jahre, die Zeit der Klassik, die Alterswerke. Innerhalb dieser zeitlichen Gruppen bleibt das durch Inhalt und Form Zusammengehörige beieinander: die Balladen, die Elegien usw. Manche dieser Gruppen hat Goethe selbst zusammengestellt, z.B. die 'Römischen Elegien' und die 'Sonette'. Der Band zeigt die ganze Weite von Goethes lyrischem Werk. Nur der 'West-östliche Divan' fehlt hier: man findet ihn in Band 2 der 'Hamburger Ausgabe'.

“Stanley Corngold’s translation is a triumph. This is a glorious achievement, a Werther for the ages.”―Christopher Prendergast A masterpiece of European imagination, The Sufferings of Young Werther is the classic Sturm und Drang tale of youthful angst and tragedy. The acclaimed translator Stanley Corngold brings new passion and precision to Goethe's timeless novel of obsessive love and madness in this magnificent new translation. Goethe's themes of unrequited love, the pain of rejection, deepening despair, and their tragic consequences are as relevant today as when the novel was first published in 1774. His hugely influential novel informed the writing of, among others, Franz Kafka and Thomas Mann. In translating The Sufferings of Young Werther, Corngold follows the German text closely, never knowingly using a word that was not current in English at the time the novel was written and yet maintaining a modern grace and flair. The result is an eagerly awaited translation that speaks to our time through the astonishing liveliness of Goethe's language―as well through the translator's own.

From 1965 until 1980, there was a virtual moratorium on executions for capital offenses in the United States. This was due primarily to protracted legal proceedings challenging the death penalty on constitutional grounds. After much Sturm und Drang, the Supreme Court of the United States, by a divided vote, finally decided that "the death penalty does not invariably violate the Cruel and Unusual Punishment Clause of the Eighth Amendment." The Court's decisions, however, do not moot the controversy about the death penalty or render this excellent book irrelevant. The ball is now in the court of the Legislature and the Executive. Leg­ islatures, federal and state, can impose or abolish the death penalty, within the guidelines prescribed by the Supreme Court. A Chief Executive can commute a death sentence. And even the Supreme Court can change its mind, as it has done on many occasions and did, with respect to various aspects of the death penalty itself, durlog the moratorium period. Also, the people can change their minds. Some time ago, a majority, according to reliable polls, favored abolition. Today, a substantial majority favors imposition of the death penalty. The pendulum can swing again, as it has done in the past.

A new edition of the first volume of the collected plays of Steven Berkoff. It includes "East", "West", "Greek", "Sink the Belgrano!", "Massage", "Lunch", "The Bow of Ulysses" and "Sturm und Drang" (or "Confessions of a Cad!").

Master Class is a pyrotechnical theater—fireworks in a contained space where Maria Callas is brought back to life in Sturm und Drang. Inspired by a series of master classes the great diva conducted at Juilliard toward the end of her career, this drama puts Maria Callas at center stage again as she coaxes, prods, and inspires students—"victims" as she calls them—into giving the performances of their lives while revealing her own. As she slips off into memories, we experience her days at La Scala, her marriage to Meneghini, and her great doomed love for Aristotle Onassis. But the dazzling theatricality comes from Callas's emotional explosions, her cutting wit, and the soaring music as each student sings an aria that exposes the Divina's vulnerabilities ... and her genius.

Wolfgang Kayser traces the historical development of the grotesque from the Italian Renaissance (which originated the word "grottesco") through the "chimeric" world of the commedia dell'arte, Sturm und Drang, the age of Romanticism and nineteenth century "realism," to its modern forms in poetry, dream narration and surrealist painting.